Songs at the Start

[1]
LOUISE IMOGEN GUINEY
CUPPLES, UPHAM AND COMPANY
1884
[2]
By Louise Imogen Guiney,
1884.
C. J. PETERS AND SON,
STEREOTYPERS AND ELECTROTYPERS,
145 High Street.
ERRATA.
Page 10. Third line: read haunt for haunts.
Page 26. Tenth and eleventh lines: omit the word no.
[3]
FIRST SLIGHT OUTCOME OF TASTES TRANSMITTED BY
MY FATHER,
Is Inscribed to His Friend and Mine,
JOHN BOYLE O’REILLY.
[4]
[5]
CONTENTS.
| Page | |
| Gloucester Harbor | 9 |
| Leonore | 12 |
| A Ballad of Metz | 14 |
| Private Theatricals | 21 |
| Divination by an Easter Lily | 22 |
| The Rival Singers | 23 |
| After the Storm | 26 |
| Hemlock River | 28 |
| On One Poet Refusing Homage to Another | 29 |
| Brother Bartholomew | 33 |
| Reserve | 36 |
| Patriot Chorus on the Eve of War | 37 |
| Lo and Lu | 39 |
| Her Voice | 42 |
| An Epitaph | 44 |
| The Falcon and the Lily | 46 |
| Boston, from the Bridge | 48 |
| The Red and Yellow Leaf | 49 |
| “Poete my Maister Chaucer” | 51 |
| Mount Auburn in May | 52 |
| Among the Flags | 53 |
| [6]Child and Flower | 54 |
| Knight Falstaff | 56 |
| The Poet | 57 |
| A Criminal | 59 |
| Orient-Born | 60 |
| Charondas | 62 |
| Crazy Margaret | 65 |
| To the Winding Charles | 69 |
| My Neighbor | 70 |
| The Sea-Gull | 73 |
| Lily of the Valley | 74 |
| Lover Loquitur | 76 |
| Vitality | 77 |
| To the River | 78 |
| The Second Time they Met | 79 |
| On Not Reading a Posthumous Work | 81 |
| Bessy in the Storm | 83 |
| After a Duel | 85 |
| Indifference | 87 |
| The Pledging | 88 |
| At Gettysburg | 90 |
| Early Death | 92 |
| My Soprano | 93 |
| The Cross Roads | 94 |
| “Heart of Gold” | 98 |
| A Jacobite Revival | 100 |
| Spring | 104 |
| Adventurers | 105 |
| L’Etiquette | 107 |
| The Grave and the Rose | 110 |
[7]
Songs at the Start.
[8]
[9]
GLOUCESTER HARBOR.
[12]
LEONORE.
[14]
A BALLAD OF METZ.
[This incident actually befell a private in a Massachusetts volunteer regiment, belonging to the Fifth Corps, at the battle of Malvern Hill.]
[21]
PRIVATE THEATRICALS.
[22]
DIVINATION BY AN EASTER LILY.
[23]
THE RIVAL SINGERS.
[26]
AFTER THE STORM.
I.
II.
[28]
HEMLOCK RIVER.
[29]
ON ONE POET REFUSING HOMAGE TO ANOTHER.
[33]
BROTHER BARTHOLOMEW.
[36]
RESERVE.
[37]
PATRIOT CHORUS ON THE EVE OF WAR.
[39]
LO AND LU.
[42]
HER VOICE.
[44]
AN EPITAPH.
[46]
THE FALCON AND THE LILY.
[48]
BOSTON, FROM THE BRIDGE.
[49]
THE RED AND YELLOW LEAF.
[51]
“POETE MY MAISTER CHAUCER.”[A]
FOOTNOTE:
[A] Lydgate so calls him,
[52]
MOUNT AUBURN IN MAY.
[53]
AMONG THE FLAGS
IN DORIC HALL, MASSACHUSETTS STATE HOUSE.
[54]
CHILD AND FLOWER.
FOOTNOTE:
[B] The author’s title runs: “Sur la Fille de mon Ami, enterrée devant moi hier au Cimetière de Passy: 16 Juin, 1832.”
[56]
KNIGHT FALSTAFF.
[57]
THE POET.[C]
FOOTNOTE:
[C] For this trifle, obligations are due to Maestro Mozart. A sunny little opening Andante of his, from the Second Sonata in A major, suggested immediately and quite irresistibly the words here appended, which follow its rhythm throughout.
[59]
A CRIMINAL. 1865.
[60]
ORIENT-BORN.
[62]
CHARONDAS.
[65]
CRAZY MARGARET.
[69]
TO THE WINDING CHARLES.
[70]
MY NEIGHBOR.[D]
FOOTNOTES:
[D] Jacob Sheafe, an old Boston worthy, laid away in 1658, in a quiet northerly corner of King’s Chapel Burying-Ground.
[73]
THE SEA-GULL.
[74]
LILY-OF-THE-VALLEY.
[76]
LOVER LOQUITUR.
[77]
VITALITY.
[78]
TO THE RIVER.
[79]
THE SECOND TIME THEY MET.
[81]
ON NOT READING A POSTHUMOUS WORK.[E]
FOOTNOTE:
[E] Hawthorne’s “Doctor Grimshawe.”
[83]
BESSY IN THE STORM.
[85]
AFTER A DUEL.
“In fair and discreet manhood; that is, civilly, by the sword.”—Ben Jonson.
[87]
INDIFFERENCE.
[88]
THE PLEDGING.
[90]
AT GETTYSBURG.
[92]
EARLY DEATH.
[93]
MY SOPRANO.
[94]
THE CROSS ROADS.
[98]
“HEART OF GOLD.”
[100]
A JACOBITE REVIVAL.
[104]
SPRING.
[105]
ADVENTURERS.
[107]
L’ETIQUETTE.
[110]