POEMS
BY JULIA C. R. DORR
POEMS
BY
JULIA C. R. DORR
COMPLETE EDITION
NEW YORK
CHARLES SCRIBNER’S SONS
MDCCCXCII
Copyright, 1879, 1885, 1892,
by
CHARLES SCRIBNER’S SONS
TROW DIRECTORY
PRINTING AND BOOKBINDING COMPANY
NEW YORK
TO S. M. D.
CONTENTS
| PAGE | |
| Dedication. To S. M. D. | v |
EARLIER POEMS. |
|
| The Three Ships, | 3 |
| Maud and Madge, | 6 |
| A Mother’s Question, | 8 |
| Over the Wall, | 9 |
| Outgrown, | 11 |
| A Song for Two, | 14 |
| A Picture, | 15 |
| Hymn to Life, | 16 |
| The Chimney Swallow, | 18 |
| Heirship, | 20 |
| Hilda, Spinning, | 22 |
| Hereafter, | 25 |
| Without and Within, | 27 |
| Vashti’s Scroll, | 29 |
| What my Friend Said to Me, | 37 |
| Hymn. For the Dedication of a Cemetery, | 38 |
| Yesterday and To-day, | 39 |
| Lyric. For the Dedication of a Music-Hall, | 41 |
| What I Lost, | 43 |
| Once! | 45 |
| Catharine, | 47[viii] |
| The Name, | 48 |
| Under the Palm-Trees, | 49 |
| Night and Morning, | 51 |
| Agnes, | 53 |
| “Into Thy Hands,” | 55 |
| Idle Words, | 56 |
| The Sparrow to the Skylark, | 58 |
| The Bell of St. Paul’s, | 60 |
| December 26, 1910. A Ballad of Major Anderson, | 62 |
| From Baton Rouge, | 66 |
| In the Wilderness, | 68 |
| Charley of Malvern Hill, | 70 |
| Supplicamus, | 73 |
| The Last of Six, | 75 |
| The Drummer Boy’s Burial, | 79 |
| Eighteen Hundred and Sixty-five, | 82 |
| Our Flags at the Capitol, | 84 |
| My Mocking-Bird, | 86 |
| Coming Home, | 88 |
| Wakening Early, | 90 |
| Blest, | 92 |
| Helen, | 94 |
“PRO PATRIA.” |
|
| The Dead Century, | 97 |
| The River Otter, | 106 |
| Past and Present, | 109 |
| Vermont, | 114 |
| Gettysburg. 1863-1889. | 126 |
| “No More the Thunder of Cannon,” | 133 |
| Grant, | 135[ix] |
FRIAR ANSELMO, AND OTHER POEMS. |
|
| Friar Anselmo, | 141 |
| The King’s Rosebud, | 146 |
| Somewhere, | 147 |
| Peradventure, | 148 |
| Rena. A Legend of Brussels, | 150 |
| A Secret, | 159 |
| This Day, | 161 |
| “Christus!” | 163 |
| The Kiss, | 167 |
| What She Thought, | 168 |
| What Need? | 170 |
| Two, | 172 |
| Unanswered, | 175 |
| The Clay to the Rose, | 178 |
| At the Last, | 180 |
| To the “Bouquet Club,” | 181 |
| Eventide, | 182 |
| My Lovers, | 184 |
| The Legend of the Organ-builder, | 186 |
| Butterfly and Baby Blue, | 190 |
| King Ivan’s Oath, | 192 |
| At Dawn, | 199 |
| In Memoriam, | 201 |
| Weaving the Web, | 203 |
| The “Christus” of Oberammergau, | 205 |
| Rabbi Benaiah, | 206 |
| A Child’s Thought, | 209 |
| “God Knows,” | 211 |
| The Mountain Road, | 213 |
| Entering In, | 215 |
| A Flower for the Dead, | 217 |
| Thou Knowest, | 219 |
| Winter, | 220 |
| Five, | 221 |
| Unsolved, | 223 |
| Quietness, | 226 |
| The Difference, | 227 |
| My Birthday, | 229 |
| A Red Rose, | 231 |
| Twenty-one, | 233 |
| Singing in the Dark, | 235 |
| Thomas Moore, | 236 |
| A Last Word, | 238[x] |
SONNETS. |
|
| The Sonnet. I. To a Critic. | 241 |
| " " II. To a Poet. | 241 |
| At Rest, | 243 |
| Too Wide! | 244 |
| Mercédès, | 245 |
| Grass-Grown, | 246 |
| To Zülma, I., II., | 247 |
| Sleep, | 249 |
| In King’s Chapel, | 250 |
| To-day, | 251 |
| F. A. F., | 252 |
| Day and Night, I., II., | 253 |
| Thy Name, | 255 |
| Resurgamus, | 256 |
| At the Tomb, | 257 |
| Three Days, I., II., III., | 258 |
| Darkness, | 260 |
| Silence, | 261 |
| Sanctified, | 262 |
| A Message, | 263 |
| When Lesser Loves, | 264 |
| George Eliot, | 265 |
| Knowing, | 266 |
| A Thought, | 267 |
| To-morrow, I., II., | 268 |
| “O Earth! Art Thou not Weary?” | 270 |
| Alexander, | 271 |
| The Place, I., II., III., [xi] | 272 |
| To a Goddess, | 274 |
| O. W. H., | 275 |
| Gifts for the King, | 276 |
| Recognition, I., II., | 277 |
| Shakespeare, | 279 |
| To E. C. S., | 280 |
| A Christmas Sonnet, | 281 |
| Poverty, | 282 |
| Surprises, I., II., | 283 |
| C. H. R., | 285 |
| A New Beatitude, | 286 |
| Compensation, I., II., | 287 |
| Questionings, | 289 |
| Remembrance, | 290 |
| In the High Tower, | 291 |
AFTERNOON SONGS. |
|
| Four O’Clocks, | 295 |
| A Dream of Songs Unsung, | 296 |
| Questioning a Rose, | 304 |
| The Fallow Field, | 306 |
| Out and In, | 309 |
| Her Flowers, | 310 |
| Three Laddies, | 312 |
| Summer, | 314 |
| Thornless Roses, | 315 |
| Treasure-Ships, | 316 |
| Choosing, | 318 |
| Not Mine, | 320 |
| The Chamber of Silence, | 322 |
| Three Roses, | 325 |
| Four Letters, | 326 |
| Valdemar, | 328 |
| Jubilate! | 338 |
| Easter Lilies, | 339[xii] |
| “O, Wind that Blows Out of the West,” | 340 |
| A Summer Song, | 342 |
| The Urn, | 344 |
| The Parson’s Daughter, | 345 |
| March Fourth, 1881-1882, | 348 |
| Roy, | 350 |
| The Painter’s Prayer, | 351 |
| From Exile, | 354 |
| A Mother-Song, | 358 |
| Easter Morning, | 359 |
| Sealed Orders, | 363 |
| An Anniversary, | 365 |
| Martha, | 367 |
| The Hour, | 368 |
| The Closed Gate, | 369 |
| Content, | 371 |
| My Wonderland, | 373 |
| The Guest, | 375 |
| An Old-fashioned Garden, | 377 |
| Discontent, | 380 |
| The Doves at Mendon, | 383 |
| A Late Rose, | 386 |
| Periwinkle, | 387 |
| Afternoon, | 389 |
| The Lady of the Prow, | 392 |
| Thou and I, | 395 |
LATER POEMS. |
|
| The Legend of the Baboushka. | |
| A Christmas Ballad, | 399 |
| Daybreak. An Easter Poem, | 405 |
| The Apple-Tree, | 411 |
| The Comforter, | 413 |
| Santa-Claus, | 415 |
| The Armorer’s Errand, | 417 |
| Foreshadowings, | 423[xiii] |
| Won, | 425 |
| Baptism of Fire, | 427 |
| At the Feast, | 429 |
| Over and Over, | 430 |
| A Listening Bird, | 432 |
| The First Fire, | 433 |
| Midnight Chimes, | 436 |
| My Lady Sleep, | 438 |
| The King’s Touch, | 440 |
| “By Divers Paths,” | 442 |
| The Blind Bird’s Nest, | 444 |
| Two Paths, | 446 |
| St. John’s Eve, | 447 |
| A Little Song, | 449 |
| The Princes’ Chamber, | 450 |
| Wonderland, | 453 |
| In a Gallery, | 455 |
| In Marble Prayer, | 457 |
| Nocturne, | 459 |
| Come What May, | 460 |
| Nuremberg, | 462 |
| A Mater Dolorosa, | 464 |
| After Long Waiting, | 470 |
EARLIER POEMS
THE THREE SHIPS
MAUD AND MADGE
A MOTHER’S QUESTION
OVER THE WALL
OUTGROWN
A SONG FOR TWO
A PICTURE
HYMN TO LIFE
THE CHIMNEY SWALLOW
HEIRSHIP
HILDA, SPINNING
HEREAFTER
WITHOUT AND WITHIN
VASHTI’S SCROLL
WHAT MY FRIEND SAID TO ME
HYMN
FOR THE DEDICATION OF A CEMETERY
YESTERDAY AND TO-DAY
LYRIC
FOR THE DEDICATION OF A MUSIC-HALL
WHAT I LOST
ONCE!
CATHARINE
THE NAME
UNDER THE PALM-TREES
NIGHT AND MORNING
I.
II.
AGNES
“INTO THY HANDS”
IDLE WORDS
I.
II.
III.
IV.
THE SPARROW TO THE SKYLARK
THE BELL OF ST. PAUL’S
“The great bell of St. Paul’s, which
only sounds
when the King is dead.”
DECEMBER 26, 1910
A BALLAD OF MAJOR ANDERSON
FROM BATON ROUGE
IN THE WILDERNESS
May 6, 1864
CHARLEY OF MALVERN HILL
SUPPLICAMUS
1864
THE LAST OF SIX
THE DRUMMER BOY’S BURIAL
1865
OUR FLAGS AT THE CAPITOL
MY MOCKING-BIRD
COMING HOME
WAKENING EARLY
BLEST
Dec. 1865
HELEN
“PRO PATRIA”
THE DEAD CENTURY
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
THE RIVER OTTER
A FRAGMENT
PAST AND PRESENT
(Driftwood)
VERMONT
(WRITTEN FOR THE VERMONT CENTENNIAL CELEBRATION,
AT BENNINGTON, AUGUST 15, 1877.)
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
GETTYSBURG
1863-1889
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
“NO MORE THE THUNDER OF CANNON”
GRANT
August 8, 1885
FRIAR ANSELMO AND OTHER POEMS
FRIAR ANSELMO
THE KING’S ROSEBUD
SOMEWHERE
PERADVENTURE
RENA
(A LEGEND OF BRUSSELS)
I.
II.
III.
A SECRET
THIS DAY
“CHRISTUS!”
THE KISS
WHAT SHE THOUGHT
WHAT NEED?
TWO
UNANSWERED
THE CLAY TO THE ROSE
AT THE LAST
TO THE “BOUQUET CLUB”
EVENTIDE
MY LOVERS
THE LEGEND OF THE ORGAN-BUILDER
BUTTERFLY AND BABY BLUE
KING IVAN’S OATH
AT DAWN
IN MEMORIAM
[Cyrus M. and Mary Ripley Fisher,
lost on steamship Atlantic,
April 1, 1873.]
WEAVING THE WEB
THE “CHRISTUS” OF THE PASSION PLAY OF OBERAMMERGAU
RABBI BENAIAH
A CHILD’S THOUGHT
“GOD KNOWS”
THE MOUNTAIN ROAD
ENTERING IN
A FLOWER FOR THE DEAD
THOU KNOWEST
WINTER
FIVE
UNSOLVED
QUIETNESS
THE DIFFERENCE
MY BIRTHDAY
A RED ROSE
TWENTY-ONE
SINGING IN THE DARK
THOMAS MOORE
May 28, 1779-1879
A LAST WORD
SONNETS
THE SONNET
I. TO A CRITIC
II. TO A POET
AT REST
TOO WIDE!
MERCÉDÈS
(June 27, 1878)
GRASS-GROWN
TO ZÜLMA
I.
II.
SLEEP
IN KING’S CHAPEL
(Boston, November 3, 1878)
TO-DAY
F. A. F.
DAY AND NIGHT
I.
II.
THY NAME
RESURGAMUS
AT THE TOMB
THREE DAYS
I.
II.
III.
DARKNESS
SILENCE
SANCTIFIED
A MESSAGE
WHEN LESSER LOVES
GEORGE ELIOT
KNOWING
A THOUGHT
(SUGGESTED BY READING
“A MIRACLE IN STONE”)
TO-MORROW
I.
II.
“O EARTH! ART THOU NOT WEARY?”
ALEXANDER
THE PLACE
“I GO TO PREPARE A PLACE FOR YOU”
I.
II.
III.
TO A GODDESS
O. W. H.
(August 29, 1809.)
GIFTS FOR THE KING
(H. W. L., February 27th)
RECOGNITION
(H. W. L.)
I.
II.
SHAKESPEARE
(April 23, 1664-1889)
TO E. C. S.
WITH A ROSE FROM CONWAY CASTLE
A CHRISTMAS SONNET
POVERTY
SURPRISES
I.
II.
C. H. R.
(LOST OFF HAI-MUN IN THE CHINA SEA)
A NEW BEATITUDE
L. G. W.
COMPENSATION
I.
II.
QUESTIONINGS
REMEMBRANCE
IN THE HIGH TOWER
AFTERNOON SONGS
FOUR-O’CLOCKS
A DREAM OF SONGS UNSUNG
QUESTIONING A ROSE
THE FALLOW FIELD
OUT AND IN
HER FLOWERS
THREE LADDIES
SUMMER, 1882
R. W. E.
THORNLESS ROSES
TREASURE-SHIPS
CHOOSING
NOT MINE
THE CHAMBER OF SILENCE
THREE ROSES
FOUR LETTERS
(INSCRIBED TO OLIVER WENDELL HOLMES)
[In an old almanac of the year 1809, against the date August 29th, there is this record, “Son b.” The sand that was thrown upon the fresh ink seventy years ago can still be seen upon the page.]
VALDEMAR
JUBILATE!
EASTER LILIES
“O WIND THAT BLOWS OUT OF THE WEST”
A SUMMER SONG
THE URN
THE PARSON’S DAUGHTER
MARCH FOURTH
1881-1882
ROY
THE PAINTER’S PRAYER
“NEC ME PRÆTERMITTAS, DOMINE!”
(An incident in the painting of Holman Hunt’s
“Light of the World.”)
FROM EXILE
Paris, September 3, 1879
(A Mother speaks)
A MOTHER-SONG
EASTER MORNING
SEALED ORDERS
AN ANNIVERSARY
MARTHA
THE HOUR
THE CLOSED GATE
CONTENT
MY WONDERLAND
THE GUEST
AN OLD-FASHIONED GARDEN
DISCONTENT
I.
(The Brier Rose speaks.)
II.
(The Garden Rose speaks.)
THE DOVES AT MENDON
A LATE ROSE
PERIWINKLE
AFTERNOON
THE LADY OF THE PROW
BERMUDA, MAY, 1883
THOU AND I
LATER POEMS
THE LEGEND OF THE BABOUSHKA
A CHRISTMAS BALLAD
DAYBREAK
AN EASTER POEM
THE APPLE-TREE
THE COMFORTER
SANTA CLAUS
THE ARMORER’S ERRAND
A BALLAD OF 1775
FORESHADOWINGS
WON
BAPTISM OF FIRE
AT THE FEAST
“And the Lord of the Castle is Time.”
OVER AND OVER
A LISTENING BIRD
THE FIRST FIRE
MIDNIGHT CHIMES
MY LADY SLEEP
THE KING’S TOUCH
“BY DIVERS PATHS”
THE BLIND BIRD’S NEST
“The nest of the blind bird is built by God.”—Turkish Proverb.
TWO PATHS
ST. JOHN’S EVE
A LITTLE SONG
THE PRINCES’ CHAMBER
WONDERLAND
IN A GALLERY
(ANTWERP, 1891)
IN MARBLE PRAYER
(CANTERBURY, 1891)
NOCTURNE
COME WHAT MAY
NUREMBERG
A MATER DOLOROSA
AFTER LONG WAITING
Transcriber's Notes:
The cover image was created by the transcriber, and is in the public domain.
Uncertain or antiquated spellings or ancient words were not corrected.
Errors in punctuation and inconsistent hyphenation were not corrected unless otherwise noted.
Typographical errors have been silently corrected but other variations in spelling and punctuation remain unaltered.
Where double quotes have been repeated at the beginnings of consecutive stanzas, they have been omitted for clarity.