RILEY LOVE-LYRICS
RILEY
LOVE-LYRICS
JAMES WHITCOMB RILEY
WITH LIFE PICTURES BY
WILLIAM B. DYER
NEW YORK
GROSSET & DUNLAP
PUBLISHERS
Copyright, 1883, 1887, 1888, 1890, 1891, 1892,
1894, 1897, 1898, 1901, 1905
by
James Whitcomb Riley
INSCRIBED
|
To the Elect of Love,—or side-by-side |
|
So were I but a minstrel, deft |
CONTENTS
| PAGE | |
| Blooms of May | 185 |
| Discouraging Model, A | 133 |
| "Dream" | 46 |
| Farmer Whipple—Bachelor | 167 |
| Has She Forgotten? | 181 |
| He and I | 83 |
| He Called Her In | 50 |
| Her Beautiful Eyes | 60 |
| Her Hair | 128 |
| Her Face and Brow | 63 |
| Her Waiting Face | 71 |
| Home at Night | 122 |
| How it Happened | 95 |
| Ike Walton's Prayer | 107 |
| Illileo | 111 |
| Judith | 79 |
| Last Night and This | 131 |
| Leonainie | 68 |
| Let Us Forget | 64 |
| Lost Path, The | 87 |
| My Bride That Is To Be | 90 |
| My Mary | 117 |
| Nothin' to Say | 103 |
| Old Played-out Song, A' | 31 |
| Old Sweetheart of Mine, An | 23 |
| Old Year and the New, The | 72 |
| Out-worn Sappho, An | 37 |
| Passing of a Heart, The | 44 |
| Rival, The | 148 |
| Rose, The | 178 |
| Sermon of the Rose, The | 189 |
| Song of Long Ago, A | 160 |
| Suspense | 136 |
| Their Sweet Sorrow | 76 |
| To Hear Her Sing | 146 |
| Tom Van Arden | 139 |
| Touches of Her Hands, The | 157 |
| Variation, A | 151 |
| Very Youthful Affair, A | 36 |
| When Age Comes On | 164 |
| When Lide Married Him | 125 |
| When My Dreams Come True | 99 |
| When She Comes Home | 67 |
| Where Shall We Land | 154 |
| Wife-Blesséd, The | 115 |
ILLUSTRATIONS
| PAGE | |
| Love-Lyrics | Frontispiece |
| Illustrations—Tailpiece | xx |
| An Old Sweetheart of Mine | 23 |
| And I Light My Pipe in Silence | 24 |
| The Voices of My Children | 25 |
| The Pink Sunbonnet | 26 |
| When First I Kissed Her | 27 |
| (untitled image) | 29 |
| My Wife is Standing There | 30 |
| A' Old Played-Out Song | 33 |
| A' Old Played-Out Song—Tailpiece | 35 |
| A Very Youthful Affair | 36 |
| An Out-worn Sappho | 41 |
| An Out-worn Sappho—Tailpiece | 43 |
| The Passing of a Heart—Title | 44 |
| The Passing of a Heart—Tailpiece | 45 |
| "Dream" | 47 |
| "Dream"—Tailpiece | 49 |
| He Called Her In—Title | 50 |
| A Dark and Eerie Child | 51 |
| When She First Came to Me | 57 |
| He Called Her In—Tailpiece | 59 |
| Her Beautiful Eyes | 61 |
| Her Face and Brow | 63 |
| Let Us Forget—Title | 64 |
| Our Worn Eyes are Wet | 65 |
| When She Comes Home | 67 |
| Leonainie—Title | 68 |
| Leonainie—Tailpiece | 70 |
| Her Waiting Face | 71 |
| The Old Year and the New—Title | 72 |
| I Saw the Old Year End | 73 |
| Their Sweet Sorrow | 77 |
| Judith | 79 |
| O, Her Eyes are Amber-fine | 81 |
| He and I | 85 |
| The Lost Path—Title | 87 |
| The Lost Path | 89 |
| Madonna-like and Glorified | 91 |
| How it Happened | 97 |
| When My Dreams Come True | 101 |
| Nothin' to Say | 105 |
| Ike Walton's Prayer—Title | 107 |
| Ike Walton's Prayer—Tailpiece | 110 |
| Illileo | 113 |
| Wife-Blesséd, The | 115 |
| The Auld Trysting-Tree | 119 |
| My Mary—Tailpiece | 121 |
| Home at Night | 123 |
| When Lide Married Him—Title | 125 |
| When Lide Married Him—Tailpiece | 127 |
| Her Hair | 129 |
| Last Night and This—Title | 131 |
| Last Night and This—Tailpiece | 132 |
| A Discouraging Model—Title | 133 |
| A Cameo Face | 135 |
| Suspense | 137 |
| Tom Van Arden—Title | 139 |
| Tom Van Arden | 141 |
| To Hear Her Sing | 146 |
| The Rival | 148 |
| A Variation—Title | 151 |
| Where Shall We Land?—Title | 154 |
| Where Shall We Land?—Tailpiece | 156 |
| The Touches of Her Hands—Title | 157 |
| The Touches of Her Hands—Tailpiece | 158 |
| O Rarely Soft, the Touches of Her Hands | 159 |
| A Song of Long Ago | 161 |
| When Age Comes On | 165 |
| Farmer Whipple—Bachelor—Title | 167 |
| Ridin' Home with Mary | 171 |
| Farmer Whipple—Bachelor—Tailpiece | 177 |
| The Rose—Title | 178 |
| Has She Forgotten? | 183 |
| Blooms of May—Title | 185 |
| O Lad and Lass | 186 |
| O Gleam and Gloom and Woodland Bloom | 187 |
| The Sermon of the Rose | 191 |
RILEY LOVE-LYRICS
AN OLD SWEETHEART OF MINE
|
As one who cons at evening o'er an album all alone,
The lamplight seems to glimmer with a flicker of surprise,
In fact, to speak in earnest, I believe it adds a charm
A face of lily-beauty, with a form of airy grace,
And again I feel the pressure of her slender little hand,
When I should be her lover forever and a day, * * * [Pg 30]
But, ah! my dream is broken by a step upon the stair, |
A' OLD PLAYED-OUT SONG
|
It's the curiousest thing in creation,
But oh! "They's a chord in the music |
A VERY YOUTHFUL AFFAIR
|
I'm bin a-visitun 'bout a week |
AN OUT-WORN SAPPHO
|
How tired I am! I sink down all alone
For, O my friends, to lose the latest grasp— |
THE PASSING OF A HEART
|
O Touch me with your hands— |
"DREAM"
|
Because her eyes were far too deep |
|
Because I could not understand |
HE CALLED HER IN
|
I
He called her in from me and shut the door.
Like golden rain.— II
He called her in from me and shut the door! III
He called her in from me and shut the door!
Of her bright hair with lingering tenderness, |
HER BEAUTIFUL EYES
|
O her beautiful eyes! they are blue as the dew |
HER FACE AND BROW
|
Ah, help me! but her face and brow |
LET US FORGET
|
Let us forget. What matters it that we |
WHEN SHE COMES HOME
|
When she comes home again! A thousand ways |
LEONAINIE
|
Leonainie—Angels named her; |
HER WAITING FACE
|
In some strange place |
THE OLD YEAR AND THE NEW
|
I
As one in sorrow looks upon |
|
The eyes that once had shed their bright II
The chimes of bells were in the air, |
THEIR SWEET SORROW
|
They meet to say farewell: Their way |
JUDITH
|
O her eyes are amber-fine— |
HE AND I
|
Just drifting on together— |
THE LOST PATH
|
Alone they walked—their fingers knit together, |
MY BRIDE THAT IS TO BE
|
O soul of mine, look out and see |
|
I know not if her eyes are light |
HOW IT HAPPENED
|
I got to thinkin' of her—both her parents dead and gone— |
WHEN MY DREAMS COME TRUE
|
I
When my dreams come true—when my dreams come true— II [Pg 100]
When my dreams come true—I shall bide among the sheaves |
NOTHIN' TO SAY
|
Nothin' to say, my daughter! Nothin' at all to say! |
IKE WALTON'S PRAYER
|
I crave, dear Lord, |
ILLILEO
|
Illileo, the moonlight seemed lost across the vales— |
THE WIFE-BLESSÉD
|
I
In youth he wrought, with eyes ablur, II [Pg 116]
She lured his gaze, in braver days, III
And now—nor dream nor wild conceit— |
MY MARY
|
My Mary, O my Mary! |
|
We were sae happy, Mary! |
HOME AT NIGHT
|
When chirping crickets fainter cry, |
WHEN LIDE MARRIED HIM
|
When Lide married him—w'y, she had to jes dee-fy |
HER HAIR
|
The beauty of her hair bewilders me— |
LAST NIGHT—AND THIS
|
Last night—how deep the darkness was! |
A DISCOURAGING MODEL
|
Just the airiest, fairiest slip of a thing, |
SUSPENSE
|
A woman's figure, on a ground of night |
TOM VAN ARDEN
|
Tom Van Arden, my old friend, |
|
Tom Van Arden, my old friend, |
TO HEAR HER SING
|
To hear her sing—to hear her sing— |
THE RIVAL
|
I so loved once, when Death came by I hid |
A VARIATION
|
I am tired of this! |
WHERE SHALL WE LAND?
"Where shall we land you, sweet?"—Swinburne.
|
All listlessly we float |
THE TOUCHES OF HER HANDS
|
The touches of her hands are like the fall |
A SONG OF LONG AGO
|
A song of Long Ago: |
|
Blend in the song the moan |
WHEN AGE COMES ON
|
When Age comes on!— |
FARMER WHIPPLE—BACHELOR
|
It's a mystery to see me—a man o' fifty-four, |
|
I was layin' by the roadside, and the wagon upside down |
THE ROSE
|
It tossed its head at the wooing breeze; * * * I dream to-day, o'er a purple stain |
HAS SHE FORGOTTEN?
|
I
Has she forgotten? On this very May II
Low, low down in the violets I press III
To-night, against my pillow, with shut eyes, |
BLOOMS OF MAY
|
But yesterday!... |
|
O lad and lass |
THE SERMON OF THE ROSE
|
Wilful we are in our infirmity |